In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
In Person Only, Still, Distribution and worl sales Shortsfit, ShortsFit
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In Person Only

CZECH REPUBLIC / 15 MIN. / 2025 / FICTION / DCP 2K / 16:9 / 5.1 / COLOR

Subtitles in English, Czech, Spanish, Italian
A lonely programmer must leave his digital shell to experience that true connection cannot be programmed. An unexpected glitch forces him to confront his repressed anxieties about human contact and prove that even in the age of automation, human closeness is irreplaceable.
Un solitario programador debe dejar su coraza digital y experimentar una conexión real que no puede ser programada. Un glitch inesperado lo fuerza a confrontarse con sus ansiedades reprimidas en relación al contacto humano y demostrar que en la era de la automatización, el contacto humano es irremplazable.

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In Person Only, poster, short film, distributed by ShortsFit, sales agent ShortsFit, ShortsFit distribucion, short films distribution, sales agent short films, shorfits

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Category:

starring

Jan Cina

written and directed by

Tereza Vejvodová

producers

Martina Knoblochová, Ondřej Beránek

production company

cinematographer

Antoan Pepelanov, Kristina Kůlová

art director

Kateřina Jirmanová

make up

Ema Křikavová

editor

Tereza Vejvodová

sound designer

Šimon Herrmann

original music by

Džian Baban

festival distribution & world sales

Tereza's bio

Tereza Vejvodová (1995, Benešov - Czech Republic) studied directing at FAMU but also works in multimedia art, including video mapping and visual performances. She perceives film as a synthesis of visual and musical principles, striving for innovative yet accessible audiovisual expression. Her work focuses on mental health, social change, and fundamental human questions. For the National Theatre production, Land of Body, she created a 70-minute kinetic film scenography featuring 12 suspended screens that depicted the body as a landscape. A short experimental film of the same name emerged from this work, forming a thematic triptych with Delimitation and Roselyne, blending movement art with classical drama. Her feature documentary debut From the Bottom premiered in the Czech Joy section at the Ji.hlava International Documentary FF. She is currently completing an international documentary about the Czech women’s hockey team and preparing the hybrid film essay Safe Places.